4 those that follow this blog: new song new animated video coming soon…

What times these are! Having always enjoyed solo time, there are more and more moments now just becoming one long chunk of time. Days– weeks–months? Just time.

It’s been a creative time for me. How about you? I see now there are 72 followers for this blog! Wow, I’m most grateful. Thank you. Hope you enjoy my posts! Please let me hear from you, how are you, what are you working on?

Stay well and be happy. xo dm


ROADIE & a yellow t-shirt

Watch 'Roadie,' 1980 movie about rock's hardy stevedores, with Meat Loaf,  Blondie, & Alice Cooper | Dangerous Minds

I was in Austin, Texas back in the early 80’s. My uncle was part of the production team for a movie called ROADIE starring Meatloaf and Debbie Harry. Alan Rudolph was directing. My uncle wanted me to see up close the making of a rock n roll movie and it only made me frustrated. So close…and that’s who I was, I wanted to be where I wasn’t, from day one.

During a break in the shoot, I was talking with Meatloaf and I told him about my work and I gave him a cassette to listen to and he went into his trailer and blasted it. Then came out after the first song, Too Proud to Love, and told me I was a really great songwriter and singer with my own sound and that I just had to keep on my track and one day one person would hear my work at a label and get me. He said you just need the one. He was very cool, he took the time to listen to my work and inspired me to move onward.

A year or so later, my friends were managing me, one was gaining momentum in the business, he had been the tour manager of the Lucky Stars tour in the UK and the other was my drummer. There was a call for an audition for a new singer to go on tour with Meatloaf and my managers were pushing me to audition. I did not want to. They said they/we needed to earn money and that it would be great for my career. I told them I wanted to focus on my own songwriting, and this would be a deterrent, I was upset and then decided to learn the material. Reputation for being difficult?

The day of the audition the one manager, the non-drummer, had a call after the audition was set up – from Meatloaf’s manager and he told my manager that Meatloaf saw my name on the list and remembered me and said he did not think I was the right type for the part. I later found out there was lots of groping, grabbing, sweating, sexual innuendos, and physical actions during the show, and I was relieved beyond words, that he had his manager call and stop the audition. It would have been most embarrassing and distasteful for me and I probably would have walked out. I knew it was a bad idea and yet I was willing to back then and I emphasize back then to consider and even go through with an audition that I knew in my heart was not a good thing for me. You have to follow your gut even when you are young with all kinds of people telling you to do this and you want to do that! I never thanked Meatloaf.

I made the cut in the film, you can see me on stage playing a roadie in a few shots during concert scenes. I was also Debbie Harry’s stand-in a few times. I wish I still had that Roadie yellow t-shirt.

Sidney Poitier Passing

ASU names film school after trailblazing actor and filmmaker Sidney Poitier  | ASU News

There have been so many deaths recently in Hollywood, this one makes me very sad. I remember him as a young girl having such an elegant presence. He was on screen with Rod Steiger in the film In the Heat of the Night. We were living in Tucson and in our last home before moving back to the east coast, there was a drive-in we could ride our bikes to, and we’d watch without sound. He made such an impression on me. Later on and even as recently as last year I watched Guess Who’s Coming to Dinner, and his words speaking to his father, were so powerful. “You see yourself as a black man, I see myself as a man.” One sentence, covering the essence of a person’s beliefs. It was such a poignant moment in the film and proof, we can all create our own definitions of ourselves. At all times. RIP Mr. Poitier. Thank you for your stellar body of work.

Celeste Martin: Holiday Generosity at its Best

Celeste Martin & Noel Tursi

In The Pass Musical, I speak about my guardian angel, Celeste Martin. She owned the carriage house building in the West Village from 1810 that I live in. She passed on December 13, 2018. I have a vignette in my show, about the apartment, aptly titled # 5 My West Village Apartment, and the first time I stepped into this very charming space and started my life in NYC as an artist.

Today I remembered how every holiday Ms. Martin would leave bags of treats for every tenant. She had 36 apartments and 3 commercial spaces at one time all filled, and everyone got gifts! Every year she went to Macy’s and filled up bags and dropped them off at the door of every tenant with a personalized card. And there was always champagne and it was always Veuve Clicquot. I still have a 1999 bottle unopened, because of the date!

Memories can be very special if they are good ones. I like to focus on good ones and when the not-so-good ones come into my head, I whisked them away. No need as these days, are challenging enough. However recalling the holidays with Celeste Martin and the joy she brought to me and all her tenants, well that may keep me warm for days!

How lucky am I to have a memory such as this?

Here’s a story I penned, and West View News shared. A Requiem for Celeste

To generosity.

My Time Spent is My Life Spent

Denise Marsa singing live, LA circa 1998

Had a music/song rehearsal with Tracy Stark yesterday. 2.5 hours of singing, finding tempos, trying new things, adding her voice to a few spots, and it was so good to dive back in. I love singing. Though I have had highs & lows in my career, as many artists do, working on The Pass Musical is empowering me to accept all things, past, present & future.

Wake me up, am I dreaming? No, I am living my dream.

I am grateful, I am learning, and I am so freaking excited for 11/18 at 9PM, NYC, 42nd Street, United Solo Festival. —My Time Spent is My Life Spent–For Janet.


It’s no surprise that the first festival I am performing in, (The Pass Musical) is titled United SOLO Festival. I have been using the word solo describing myself currently, as I am NOT in a committed relationship at this time and I have found it to be a very empowering time. If you have seen my show, you know I dedicate a vignette The Art of Being Alone, to the topic of relationships. In my opinoin, artists (creatives) tend to need more time alone. The creative process is very all encompassing, at least for me it is, and it can drain you and depending on the type of person you are with, that person can either hinder or help your relationship with your art. There is an ocean of difference.

In fact, most of us need a fair amount of alone time, some more than others. Especially these days.

The thing is, solo can also be less motivating. The struggle to find your way and to stay on course, while loving someone, may be a stimulant and something you get use to, or even dare I say it, need. And having all the time in the world, to do whatever you wish whenever you wish, may not be the bliss you imagined. Or is it?

Denise Marsa’s The Pass Musical Official Selection 2021 United Solo Festival November 18, 9PM

Press Announcement/KeyMedia Public Relations/Music Industry

Contact: Jordani Sarreal, publicist@keymediapublicrelations.com

A Story about Songwriting and the Human Spirit

(New York, New York, Tuesday, October 12, 2021) – In September 2018 The Pass premiered in London at The Playground Theatre. Journalists who attended the two performances expressed their strong support for the piece. London Theatre 1 Chris Omaweng wrote, “A nuanced and fascinating show. It all fits like a glove.” Encouraged by the glowing reviews the author of the show, singer-songwriter Denise Marsa was invigorated and gained the momentum she needed to stay on track with the project. She explained “I set out to tell my story about an artist who never quite gets to where she wants to be, although she comes close. She applies focus, tenacity, and determination. Though her talent was continuously praised, she still never really hits it big. There are many shows about artists and bands that have reached the pinnacle of success, this is a story about not getting to the top. About doing what you love, no matter what the consequences, and staying relevant in a constantly changing industry. This show is more about me coming to terms with my long, winding, and often frustrating career path and exposing my vulnerability.” 

The Pass was initially developed in 2017 with theater legend Gretchen Cryer mentoring Denise every step of the way. The show is a compelling series of autobiographical vignettes incorporating songs and stories penned and performed by award-winning singer-songwriter Denise Marsa, featuring renowned New York musician Tracy Stark on keys. Denise recounts her career spanning the decades – beginning at the end of the 70s, pushing through the highly volatile and emotional 80’s, continuing through the start of the tech-driven 90s, and on into the 21st century. The show is a testament to the human spirit, a raw biographical performance, comprised of life-defining moments, humor, heartbreak, and self-discovery, accompanied by beautiful music. Tickets are on sale now: https://unitedsolo.org/shows/the-pass-musical/.  For more information about Denise Marsa please visit: DeniseMarsaMusic.com

Team The Pass Musical: 

About Denise Marsa: Denise is best known internationally for the UK #3 hit, “Lucky Stars,” a duet she performed with Dean Friedman. She went on to become the lead voice on The Flirts international Billboard charting dance record, “Helpless” (You Took My Love). Marsa has been under contract as a songwriter with Warner Bros. London and Warner/Chappell in Los Angeles. Marsa has released two solo albums, Self and Live Forever on her own label, KeyMedia Music Group. Her song “Steady,” from her second release, won Best Song and Production in the Adult Contemporary category at the 2013 New Mexico Music Awards. Her Marsa Music catalog is currently being administered by BMG Rights Management. They are co-producing her new solo show The Pass Musical. 

About USTF: The United Solo Theatre Festival is the world’s largest solo theatre festival held at Theatre Row on 42nd Street in New York City. Omar Sangare is both the founder and artistic director. The festival features many categories of solo shows, including storytelling, puppetry, dance, multimedia, improvisations, stand-up, magic, drama, and comedy. Since its inaugural edition, the festival proceeds have been used to raise money for The Actors Fund.


Another new song “SWIMMING” and it will open up Act 2 of THE PASS Musical, 11/18/21! Rehearsed it this past Monday with Tracy Stark, it’s working…

“Close your eyes

Let’s breathe

And get over here and love me

Get over here and love me

Come on over here and let me love you

You’ve drowned, I’ve drowned

Now we’re both swimming…”

Matza Ball Soup

As a Jewish woman, it is in my blood to nurture. I was surrounded by nuturing women my entire childhood and my teen years. Some might say, a bit too nurturing leaning towards bossy, at times. Whatever. The intent was/is always to care for those we love. The Yiddish saying Balabusta (Yiddishבעל־הביתטע‎) is a Yiddish expression describing a good homemaker. And I was called that by my dad, during his final years on earth. He thought it meant bossy. Yup, I got a bit bossy with my dad (desperate times call for concise measures!) –I wanted to be sure he was comfy during his final years. Love.

I believe I started writing songs out of love, to nuture listeners or to bring a respite from everyday life, to express feelings in a song to those that might not be able to expess themselves as freely. To entertain. That is how I started my singing career, as Baby June in Gypsy, with the famed song “Let Me Entertain You.” Well I guess I took it literally! Thank you Jule Styne (music) Stephen Sondheim (lyrics) for the inspiration.

Now you may be wondering why the title of this blog is Matza Ball Soup, well here we are with the answer. Today I sent a sick friend in Los Angeles, Matza Ball soup, from Canter’s in LA and delivered feverishly by Uber Eats (Odi) and ordered from my West Village apartment. Nurturing has never been easier and if I could, I’d send a quart of Matza Ball soup to allthe people I am close to. It is good for the soul. We all need some nurturing these days!!

And check out my next performance where I share all kinds of stories and songs during the United Solo Theatre Festvial 2021 of THE PASS Musical: https://unitedsolo.org/shows/the-pass-musical/

Time for some soup…

The Pass Musical & West Hollywood

Our first NYC stage, Theatre Row, United Solo Festival: https://unitedsolo.org/shows/the-pass-musical/

We are going to be presenting The Pass Musical on November 18, 2021 @9PM. I hope you can attend, if you are in NYC and if we go live.

I am currently in West Hollywood, and the 12th vignette of the show is entitled West Hollywod. It is good to be back however it is also bringing up lots of the past. Which funny enough, is also sometimes what people think the title of the show is, when I say The Pass, they ask, The Past? I do recall in the show, and often, so in essence there is a direct connection.

The past is a very tender part of life. We have lived it and it gathers meaning as time goes on with or without us knowing it. The skill is to know when to let the past navigate our present and perhaps our future and when to close that door, and keep it closed. We are all travelers, time is our map, and what we choose as our compass, is up to us.

I am focusing right now, in this moment, on love as my compass. I sometimes forget that, it is with love, I carry on. Other emotions can taint the windows or cloud the water, I swim forward with my heart; as it has led me wisely thus far.