Reigning it in: Staging a Production

Tiger

As a musical performer I’ve been told I often use sweeping and dramatic gestures and move about a lot on stage. What I’m learning now is that being a singer with a band is a lot different than doing a one-woman show. As I rehearse my show THE PASS it’s been brought to my attention by my director, Gretchen Cryer, that I need to stand still–at least once in a while! During my rehearsal yesterday I was pacing around the stage, thinking and moving spontaneously as I would in life. But this can be distracting for an audience, even off-putting. I’ve been advised to block out all my moves so that when I speak and sing I will be standing in pre-arranged places–no more wandering around! I’m a free spirit who enjoys making each performance different; I even sing my songs with slight variations every time, to keep them fresh. It’s just the way I roll.

However, for THE PASS, the first run-through, which is September 28th, is an invitation-only performance and will be trying out a new style: one of stillness. I will perform my anecdotes and sing my songs according to a pattern that I’ll have pre-determined, as much as it is within my power to do so. Varying my act a bit, by tweaking the way I usually perform, will be a big challenge. But it will also keep me aware of both myself and the audience in a fresh and exciting new way.

I am thrilled (and nervous) to be preparing for my first showing of THE PASS and will be sure to let you know how it goes.

Published by denise marsa

Denise Marsa, originally born in Trenton, New Jersey, has been writing and producing music for decades. She is an award winning singer/singer and producer.

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